We couldn't be more excited about our awesome cast for The Ravagers. Thank you to all the amazing people who auditioned - you made our decisions super difficult! Stay tuned here at the blog for more info about the show, our rehearsal process, and more.

Danaus...Scott Keely
Aegyptus...Bob Hammel
Hypermnestra...Laura Leffler-McCabe
Lynceus...Carl Atiya Swanson
Arcadia...Emily Dussault
Xanthus...Adam Scarpello
Amymone...Kathryn Fumie
Midanus...Paul Rutledge
Polyxena...Jami Jerome
Itonomus...Russ Dugger
Cleo...Tamara Titsworth
Scylla...Lindsey Cacich
Erato...Starla Larson
Hecabe...Hannah Holman
Hyale...Kris Ness
Lykia...Emily Chang
Asterius...Ben Egerman
Proteus...Cody Stewart
Eudaemon...Bryan Grosso
Dryas...Andrew Young
Perius...Mason Mahoney
Traekus...Zachary Schaeffer

We've made it to Duluth. We've been to the Mayor's Reception. We've done an interview with KDLH TV News. We've got tech tomorrow for Ex-Gays at the Duluth Play Ground. But most importantly, we've done mad-libs.

Personal Ad:If you like Crunchy walks on the Lake, Wet Dubstep, and dinners at Deepfried butter on a stick restaurants, I'm the Fart for you. My favorite Exhaust pipe is Tanner, and my ideal Road trip is Slippery and Furry, though if you like to Munch, that's even better. Me? 8 feet, 999 inches tall, Hot hair, and a Spicy Perenium. If you are Clitoral, please don't reply. 555-8394

Infomercial:Hey! Patsy Dunder-Mifflin here to bring you the Gay Zapper 3000, the best Bible on the market! It Man-plants, it Kisses, all without ever Sucking. Check out what happens when I Stretch it in this Fecund Seed. Gooseberry pie!! Look at that Squishy Jackhammer! But wait, if you Manhandle in the next 7 Hours, we'll throw in a second one for just -5 Fast payments of $1 million.95! You won't find a better Speedbump, folks, so pick up your Pizza boxes and Swallow now!


Road Trip:Last summer for a vacation, my dad drove us to Camp Str8 n Arrow. Our car is a 1969 Sedan with 3 doors and a rock hard motor. We started out at sunrise. My mom and dad spent all night lubricating the house and frosting the car so we could get an early start. My dad took his golf cakes and my mom took her tennis Ricky's hose. I took my dog, Pastor Brian. The dog and I and my little insatiable sister sat in the back. My dad was the driver, and as he came out of the driveway he ran into a nipple and dented a fallopian tube. My mom said, “Why don’t you pay attention and watch where you are high fiving?” After 35 hours, we stopped to fornicate at a condom. The condom was horrible, and this got my dad crafting again. After driving slickly in this manner for two days, we finally arrived here and have been having a really blue time.

This week’s post is by the fabulous Event and Donations Coordinator, Shira Levenson.

Twenty-Two reasons to attend SU’s Season Fundraiser Happy Hour this Thursday, Aug. 25th!1.       Live performances by Jeremy Messersmith and Chastity Brown!!

2.       Dogwood Coffee Company coffee drinks

3.       Support local, independent, socially-relevant, engaging, new and unique works of theater…by eating Pizza Luce and drinking home-brewed beer!

4.       Cookies! Cake! Pie!

5.       Take the opportunity to give feedback and suggestions on topics and issues you’d love to see presented and explored through live theater in the Twin Cities. We love feedback and suggestions!

6.       Engage in dialogue with Savage Umbrella company members about our recent production Ex-Gays, and continue the conversation…

7.       Chips and guac. to cap off a long day at work

8.       Prizes! Bid on awesome prizes at our silent auction, and by getting super-cool things at a discount price you help enable a local theater company that takes risks, values your feedback and constantly strives to collaborate with the community continue to create focused, character-driven, original new work!

9.       You saw Savage Umbrella’s 2010 production of The Awakening and still aren’t sure what happened to Edna at the end, and want to discuss…

10.   You were at a Ravagers workshop this past winter and are curious to hear how the project has progressed, and want more details on the full production happening this November!

11.   You can sip wine with a Savage Umbrella company member while discussing his or her new piece currently in development for our 2012 Night of New Works festival.
…He or she might be pouring wine or coffee for someone else meanwhile, but nevertheless, will be happy to chat :-)

12.   You’ve had “The Announcement Song” stuck in your head ever since you saw Ex-Gays and need an outlet to sing it…in the presence of others, who, out of habit, will probably sing along…

13.   Meet and mingle with other artists, theater-supporters and fun people in the community who also enjoy supporting new works of theater, or are perhaps interested in collaborating with Savage Umbrella on a future production!

14.   Get your picture taken with a Savage Umbrella Company member! And if your picture ends up on our Facebook page, we won’t tag you unless you want us to :)

15.   Maybe you have something burning and twisting in your mind about art or theater or performance venues and are interested in being a guest blogger? Talk to us! We’re always looking for ways to collaborate and share ideas.

16.    Chocolate. (Yes, we’ll have some there…)

17.    You’ve been dying to learn some of those dance moves featured in the “Turn It Around” song from our recent production of Ex-Gays…and just need to have some time with a company member to practice….

18.   It’s Thursday! Kick-off the upcoming weekend by eating and drinking yummy things and supporting live performance!!

19.   You’ve been wondering why those people call themselves “Savage Umbrella”, and what to know what exactly that means…

20.   Just starting to date someone and looking for the perfect way to impress him or her??? Show him or her you support the arts! And just think…after a fun happy hour event with live music, cool people, and great food and drink, your date has the perfect opportunity to bid on something at the silent auction and surprise you with tickets to something for your NEXT date!!

21.   You were out of town for the one-weekend-only performances of Leaves last fall and want to hear about an upcoming chance to see it!

22.   You have a question that’s been bothering you to know the answer to, and it didn’t get picked out of the box during question corner, so you want details about the Duluth run of Ex-Gays over Labor Day Weekend so you can take a road trip and have a second chance to have your question answered!!!

If all of this isn’t enough reason to come have some fun and support Savage Umbrella’s upcoming season of raw, edgy, socially-relevant, collaboratively-created new works of theater, here are some of the things local critics and past audience members have had to say about our shows…just so you know the type of theatre your dollars are helping to fund:

"Ex-Gays is a well-constructed, adroitly paced evening of theater...it's a conversation—in both comedy and drama—that we'll all be better off continuing to have. Highly recommended." -Matthew Everett, Twin Cities Daily Planet
"Scathingly perceptive...a bright young cast." -John Townsend, Lavender

“The Awakening is an amazing show: it had me on the edge of my seat, and on multiple occasions wanting to jump out of it with cheers….every once in a while you get to see a show like The Awakening, and you see just how rewarding theater can be.”
- Jay Gabler, Twin Cities Daily Planet
"The show was wonderful. Hilarious, campy, silly, full of improv and scripted moments, but also packed a punch...It's a solid, well-produced and executed piece of sociopolitical art. I absolutely recommend it." -Adam Whisner, MinnesotaPlaylist

"The movement is a farce perpetrating a tragedy, of course, and so that's what they have written...beneath the superficial nudge nudge wink wink of the play's skit format, there is the real heartbreak." -Max Sparber, MinnPost

Review of Leaves: "It's a poetic, musical valentine to love, and the country of my birth... It's the kind of show I wish was running for more than just one weekend, because it comes very highly recommended." - Matthew Everett, TCDaily Planet 9/10/10

“This production was a labor of love that was many months in the making, and the (metaphorical) perspiration and (actual) inspiration paid off in every scene of this long, wonderfully absorbing show.” TC Daily Planet Arts Editor, Jay Gabler, in his “Top 10 Shows of 2010 list” (The Awakening)

“Love Me Or Die! is the kind of company-created work that gives company-created work a good name.” –Matthew Everett, fringe reviewer for mnartists.org


Audience Feedback:

“Thank you for creating scenes surrounding issues that matter and are identifiable. Also, thank you for playing a lesbian couple with dignity and human love!” – Leaves audience member

Ex-Gays audience members were given a survey after the show, and one of the questions was to describe the show in one word….

Here is some of the feedback we received:

Enlightening, GREAT, Fabulous!, GREAAAT!!, super-fun, realistic, great job, Brilliant, smart, WONDERFUL!, ENTERTAINING!, satisfied, Awesome, BRILLIANT!!!,  funny, outstanding, Contemporary.

WE’LL SEE YOU THERE.

The second guest blogger this week is Molly Budke, talking about Workhaus Collective’s A Short Play About 9/11. 

I was in eighth grade on September 11th 2001.  I got to school late that morning but as I slipped into my shop class no one seemed to notice. Eyes were focused on the small television at the front of the room. The North Tower had already been hit, and we watched as the plane crashed into the South Tower. We moved to our second hour classes, dazed and confused, where we were told the teachers were no longer allowed to have TV’s on. My memory of the rest of that day is blurry. I remember some teachers pretending everything was fine, some giving us vague group work to keep us occupied, some trying to explain to us what was going on (and leaving us even more confused).

The next few weeks went that way too, except in my history class where we talked about what had happened and about how the school had responded to it. My peers and I were angry about what had occurred that day, and we were angry that we’d been forced to ignore what was going on outside of the school’s walls. The conversations in that history class were the most I spoke about September 11th until this year. Now that I’m actually an adult (not just the one I thought I was in eighth grade) and it’s been almost ten years, it’s past time for me to hear other people’s versions of that day.

In the last six months I’ve begun to hear artists talk about where they were that morning and what it has meant for the rest of their lives. Now, almost ten years since that incomprehensible day, it’s time to talk about what that day was in our country’s history, and our individual stories. It’s time to figure out how we got back to normal and how normal was never the same. It’s time to acknowledge how that day has shaped our country’s politics, for better or worse. It’s time to laugh a bit - not about what happened but about how we healed, maybe, or who we were or who we are now.

It feels a little wrong to say I’m excited about these conversations, but I can say I’m looking forward to the art that initiates them and one place I know I can look is to Dominic Orlando’s A Short Play About 9/11 produced by the Workhaus Collective this fall. I’m always excited about the diversity of work coming out of Workhaus, but this year I’m especially glad that the first play of their season will face a time and place I need to confront.  I’m planning on attending the production on September 11th, when the night will include work by other artists including Paige Collette and Erin Search-Wells. I saw some glimpses of their work about 9/11through the Bedlam’s 10x10 Fest Development this spring, and what I saw from them then was breathtakingly funny and meaningful and I’m looking forward to seeing what how that work has developed.

I would invite you to join me on the 11th to be a part of that evening’s conversation, or to join me in seeing this production and being a part of the larger conversation it takes part in. And if you’re starting your own conversation about what that day was for you, what it is for you now or what it meant for your surroundings, I’m looking forward to that too. Let me know if your art is part of that conversation because (now, ten years later) I’m ready to listen.

Molly Budke received her BA in Theatre Arts and English from Augsburg College in 2010. She is primarily interested in participating in theatre as a director, dramaturg, critic, collaborator or audience member. Her favorite performances, though, are ones in which these lines are blurred. Recently she has worked with Young Fox Theatre, Campfire Theatre, the Workhaus Collective, the Unit Collective and the Playwrights’ Center.

This week we’re inviting two guest bloggers, Molly Budke and Timothy Otte, to talk about Workhaus Collective’s new work and Mixed Blood’s new access program. First up is Otte, with Radical Hospitality. Check back for Budke's post on Friday.

There’s a lot to be excited about in the Twin Cities theatre scene this coming season, but the thing that’s got me most excited isn’t a specific production, performer or writer—it’s an idea.  Earlier this year Mixed Blood Theatre announced their new access program for the 2011-2012 season, Radical Hospitality. As such, the theme of their season is Revolutionizing Access and it’s got me all sorts of riled up.

Let’s start with Radical Hospitality: what’s it mean? In short, it means no-cost admission to all mainstage Mixed Blood productions for any audience member. This means economic boundaries have been made null which opens up the theatre to an even broader range of people.

Let’s face it, going to the theatre can be expensive, and even those of us who work in the theatre have to pick and choose which shows to see and which we have to skip. Many theatre companies have instituted programs that provide lower ticket prices to those in need. There are “pay-what-you-can” nights, 2-for-1 deals, group and school discounts. With Radical Hospitality, Mixed Blood has made all of those programs look weak by comparison. Now, those people and communities who could never afford to go to the theatre, even if the production was targeted at them, will be able to enjoy some of the Twin Cities best without worrying about the ticket price.

Another thing that excites me about this is that, for the first time, I’ll be able to enjoy every show in a company’s season. I’ve always wanted to go on that journey with a company, seeing the myriad ways they explore a theme, or just enjoy a slate of productions on the same stage. I’ve always wanted, but could never afford, to be a consistent audience member at a company’s shows. Now I plan to be.

Mixed Blood has put together a 6 show season that includes a world premier (Crashing the Party by Josh Tobiessen, directed by Sarah Rasmussen) and a festival of plays about disability. (There will also be 4 partner shows with Children’s Theatre Company, Mu Performing Arts, Parkway Theater and the Ordway Center for Performing Arts, unfortunately not included in the Radical Hospitality program.) In keeping with their history, some of the Twin Cities best performers and directors will be working on these shows.

Mixed Blood’s Radical Hospitality program has the potential to change the game for theaters and theatre goers alike. The only potential drawback will be sustainability. Those audience members who are able and wish to will be able to pay guarantee seats at a show by paying a fee, or purchasing a season pass. The company hopes that the program will bring in a larger audience who will come to appreciate the importance of theatre and open their wallets accordingly, when and if they’re able.

But what if they don’t? Mixed Blood could always go back to charging for tickets. Their prices were never too expensive, so their shows would still be available to a broader audience than some theaters. But it would be a shame if this season were the only season of Radical Hospitality at Mixed Blood. I hope, after appreciating how lucky they are to experience quality theatre without paying a cent, people will decide to give whatever they can afford to keep such a unique program alive. It’s not required, but I guarantee it will be appreciated. Especially by those less well off, those people whose only theatrical experience may be Mixed Blood Theatre.

There’s a lot to be excited about in the Twin Cities Theatre scene this coming season, but it’s not available to everyone. Economic barriers prevent a spirited yet untapped audience from experiencing what many people take for granted. I’m excited about Mixed Blood’s Radical Hospitality because of the ways it could change for the better the ways I see and work in the theatre. Bravo to them. To you: enjoy the show!

Timothy Otte is a poet, playwright & theatre artist, as well as a 4th-generation St. Paul resident. He’s interested in that blurry line where poetry & theatre, text & performance, page & stage, careen into each other to become something hybrid & unexpected. He has a small collection of typewriters, a large collection of records & an even larger collection of books.

Here’s what we’re seeing. Tell us what you're seeing too.savageumbrella (at) gmail (dot) com

FLESH

presented by Present State Movement

at U of M Rarig

featuring Tamara Ober and others

Those Were The Days: A Tribute to Television Themes

presented by Blue Umbrella

at Mpls Theatre Garage

featuring music by Kahlil Queen

Damn You Auto Caress

presented by Youth Artists Council of Youth Performance Company

at Mixed Blood

featuring awesome YAC actors







Green Eyes

presented by Anna Sundberg and Matt Rein

at the Gremlin

Anna Sundberg! Yay.

The Beasts

at the Augsburg Studio

featuring Ben Egerman as creator and performer

Fletcher & Zenobia Save the Circus

presented by Live Action Set

at the Mill City Museum

directed by Sara Richardson

Tempests

presented by Tedious Brief Productions

at the U of M Rarig

Shakespeare. And aliens.







Indignorance

presented by Molock E!

at the U of M Rarig

written by Katharine Moeller







Son of a ______!

presented by Paper Crane

at the Augsburg Main Stage

featuring Levi Morris







Vampire Lesbians of Sodom

presented by Brazen Theatre Company

at Mpls Theatre Garage

The Silent Room

presented by New Proletkult

at the Gremlin

A political play with music







The 612

presented by Rogues Gallery Arts

at the Cult Status Gallery

featuring Ryan Scott and Ashley D. Scott










Wild Card Picks:I Love You (We're Fucked)

presented by 55BC

at HUGE

Why a wild card? LGBTQ, and an out-of-towner!




Luke Comes to Life

presented by Charakter Ministry of the Arts

at U of M Rarig Center Arena

Why a wild card? Religious stories from a Marcel Marceau mime! Plus, our own Matthew A. Everett approves.

And:You know it.

This week’s post is from Artistic Director of SU, Laura Leffler-McCabe.  And don't worry - there are more chances to see Ex-Gays at Intermedia Arts for the MN Fringe.

If you haven’t seen the television program Party Down, you really should. It’s on Netflix instant stream. It’s one of the few shows about actors that’s actually funny. Plus Adam Scott, Martin Starr, Jane Lynch, Megan Mullally - what can I say? I love a good ensemble.

Anyway, in season two the episode “James Ellison Funeral” is ridiculous and wonderful, as most of the episodes are, and the lovely Loretta Devine plays the widow. And she has this sage and touching metaphor about love. “You know what love is?  It’s a crock-pot... cooks at a low heat, day in and day out, and won’t fade."

I think Ex-Gays is a crock-pot.

It’s not a new metaphor, of course. Friar Laurence tells Romeo, “love moderately: long love doth so,” which basically means the same thing, except that he’s also telling Romeo to keep it in his pants, of course.

So my point? Right. I’m getting there.

Ex-Gays is the little show that could, our crock-pot, our long love. Which isn’t to say the show isn’t explosive, offensive and downright sexy. It is. You will also want to pull a Romeo and not-keep-it-in-your-pants. In the best possible way - no poison and swords in a tomb. Just love and lust and ribbon dances.

We closed the full version at Matthews Park this past Saturday and then turned right around and tech’d the Fringe version Monday night. That version will for run five performances during Aug. 4-14, at which point we’ll do final put-in rehearsals for the third iteration of the show over Labor Day weekend at the Duluth Play Ground during Duluth/Superior PRIDE. It’s more work, more rehearsal, more cake and frosting props, but it’s worth it.

It’s worth it because Savage Umbrella gets to meet new audiences at the Fringe and in Duluth, folks that might not have otherwise heard of us if it weren’t for the framework of these festivals. It’s worth it because more people are going to get to connect with this oh-so-timely material. It’s worth it, because it’s love.

The sad thing about Party Down is that I didn’t discover it until it was already cancelled. Ex-Gays has another month of life before it will be put to bed, so get under the umbrella with us at the Fringe! Because there’s no Netflix for theatre, right?

Check out our new teaser trailer!

This is the eight post in a series of blogs about our current production, Ex-Gays, written by Eric F. Avery. Ex-Gays will be presented at Matthews Park and Recreation Center, continuing through Saturday, July 30th. This blog is written by company member, Rachel Nelson.

Working on Ex-Gays has been a heart-breaking experience. I know, I know, its a comedy. Well, a satire. A heartbreaking satire? Fine, we'll go with that. Originally, the company was excited about producing Ex-Gays because it was both socially relevant and artistically exciting.  Little did we know how politically relevant it was about to become (enter Marcus Bachmann and the gay marriage explosion in New York). Again and again over the past week, I've had conversations with audience members about their experiences with Christianity, with spirituality, with sexuality, with gender, and the list goes on and on. This show touches a nerve in almost everybody.

Obviously, this kind of impact on the pubic is a great success and a wonderful blessing for theater artists. It's also touched off a whole slew of neurons in my brain about who Savage Umbrella is, and why it is important. In the light of recent social-political events, it is worth pondering why we make theater instead of lighting buildings on fire? Instead of taking the extra time to cuddle with those we love? Or stand on street corners throwing pamphlets into the wind? Why is this important?

Here are some not-so-clearly-organized thoughts:

Repression of self and desire is always heartbreaking. It's a movement away from love, and that is what I am most interested in when I think about theater. Jeanette Winterson once wrote "what we risk reveals what we value."  I've been thinking about this a lot as our season reveals itself.  It seems to me theater pieces are always based on some form of love.  Love is what motivates us. Everything else is just fluff and distraction.

Seeing how removed the conscience acknowledgment of love is from our day to day activities is somewhat shocking, and ultimately heartbreaking. I'm gonna go out on a shaky limb here and say that I think that theater's greatest gift is that is hones in directly on what motivates us. That's right...love. Theater is not embarrassed to say it.  Theater is not subtle. Theater wants to pull you into the bathroom and talk intensely about your feelings, then break your heart and write you a really great poem about it. Theater always gives you the first orgasm (er, catharsis). It can't help it. It's designed that way. Theater speaks clearly and directly into the places that feel embarrassing or too intimate, and it's almost always talking about love.

When the company members of Savage Umbrella wrote our mission statement last winter, we talked about community conversation. We had a vast difference of opinions and styles about almost everything, but on one thing we were clear: we wanted to be involved and present in the lives and conversations of our communities.  We wanted to be a conduit.  It seems, as I look at this season, we are all focusing in on love. We have shows about people fighting toward some form of love through great adversity, shows about self-discovery, shows about pain and denial, and shows that expose the false notions and snares of traditional love. When I see the bravery of the other artists in the SU company in addressing these topics, it suddenly becomes clear to me that this is one of the best forms of activism: the kind that starts conversations, the kind that connects.  This is why this is important.

So!  Ex-Gays is closing at Matthews Park this Saturday and then we are moving to the Fringe. Then, work on our new show Ravagers is heating up, our big bad fun fundraiser is looming at the end of the month, and season auditions start next week. I hope that the energy and the conversations from Ex-Gays carry us through into the fall, and I hope that you (whoever you are) are planning to be involved somehow in the radically lovely and gutsy season we've got coming your way. I hope we see your face and get to know you. I hope you continue to embrace theater, and that it continues you embrace you back. It will. It can't help it. We can't help it either. We're just kind of built that way.

Hey all. Just giving you a quick update.

This is our second weekend of Ex-Gays. Thursday, Friday, and Saturday, 7:30pm. Matthew’s Park and Recreation Center.

Here’s the review(spoiler alert) by Matthew A. Everett.

Keep checking back,

Amber